Mental Health: Global Challenges Journal
https://www.sciendo.com/journal/MHGCJ
ISSN 2612-2138
stereotypes, multiple discrimination, inequity,
identity, sexuality, social exclusion,
intersectionality. The authors used
phenomenological philosophical, hermeneutic,
and inductive approaches, as well as the
interpretive research paradigm.
Review and Discussion
I
n the new era of longevity, in which the forties
through the mid-sixties are referred to as middle
adulthood, “when many people are at their peak
of productivity in love and work” (Lally, n.d.), it is
very unlikely that anyone would perceive a forty
year old woman as a crone. Due to the efforts of
medical doctors, estheticians, plastic surgeons,
fitness trainers, nutritionists, etc., women 40+ in
affluent countries look far younger than their age.
Many of them are successful and independent
and are at the peak of their prime. In addition, they
may feel much younger than their biological age
(Rubin, & Berntsen, 2006), which contributes to
psychological wellbeing, more active social
functioning, and a greater range of activities
(Keyes et al., 2011; Stephan et al., 2018). However,
all these positive changes come up against a
reality that is not yet ready to accept them.
Even though older people are not left in a
remote spot to die or thrown off cliffs today, they
are still ignored by society. They find themselves
cast to the margins of so-called normal life,
experiencing overwhelming boredom, a
humiliating sense of uselessness and loneliness in
a world that is indifferent towards them (de
Beauvoir, 1996). Younger and more energetical
people distance themselves from older
generations, thus relegating them to the category
of Others. S. de Beauvoir wrote that people tend to
ignore old age as a shameful secret and a taboo
subject since old age is disgusting, sometimes “at
the biological level” (1996). To a large extent,
rejection of the elderly may express an attempt to
escape from one’s own aging and mortality.
The subject of aging is even more complicated
when it comes to gender. As S. Sontag put it,
“getting older is less profoundly wounding for a
man, for in addition to the propaganda for youth
that puts both men and women on the defensive
as they age, there is a double standard about
aging that denounces women with special
severity. Society is much more permissive about
aging in men, as it is more tolerant of the sexual
infidelities of husbands. Men are “allowed” to age,
without penalty, in several ways that women are
not. This society offers even fewer rewards for aging
to women than it does to men” (1972, p. 31). As
the researcher notes, the double standards of
aging are especially harsh in “the sexual market”,
where only young and attractive women benefit,
while men remain desirable players until old age.
Even if men are not young and not attractive, they
can compensate for these “minor flaws” with their
status, financial position, fame, achievements,
since “men’s business is being and doing, while
women’s business is appearing” (Sontag, 1972)
Thus, a woman’s life turns into a constant struggle
with the calendar, namely with nature, with the
natural course of things.
Despite certain changes in public
consciousness over the role of women in society,
we still live in a men’s world. The centuries-old
subordination of women to men, cultural ideas
about the “perfect” female face, body, age,
weight, compliance with which is a “pass” to the
world of success, or, according to evolutionary
psychologists, a “mechanism” that promotes
survival, crystallize in various disorders, thereby
undermining women’s mental health. For
instance, body dysmorphic disorder or anorexia
nervosa are largely culturally conditioned,
however, they have very “natural” outcomes as
related to anxiety, shame, fear, anger, aggression,
lower intensity of positive emotions, lower self-
esteem, etc. (Esperet et al., 2012; Goss, & Allan,
2009; Levinson et al., 2014). S. Bordo wrote that
“most women in our culture… are “disordered”
when it comes to issues of self-worth, self-
entitlement, self-nourishment, and comfort with
their own bodies; eating disorders, far from being
“bizarre” and anomalous, are utterly continuous
with a dominant element of the experience of
being female in this culture” (2004, p. 57).
Constant anxiety about aging, attempts to turn
back time, desperate cosmetic battles are far
from just a tribute to fashion or female vanity, but
also an attempt to come out of the shadows, to
overcome the boundaries of female limited
space, and to make a woman visible.
However, women’s grand entrance onto the
big stage faces a number of obstacles. For
example, popular culture targeting a broad
audience still does not adequately represent older
women (and older people in general), despite
some improvements (Lem, 2021). M. Malli notes
that older adults are underrepresented in popular
culture, because the 21st century is an age-
phobic society: “Hollywood casts older adults in
peripheral roles where they are characterized as
grumpy and posing a financial burden on society.
Older age is predominantly stereotyped as a
period of vulnerability, dependency and
helplessness: these societal discourse about
ageing permeate popular culture” (2023), let
alone that aging women are more negatively
stereotyped than aging men. And even despite
the growing cultural visibility of older women, the
role models are celebrities 40+ without signs of
age, “overt ageism has replaced by a more subtle
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